The exhibition explores three principal themes: a new look at women during these decades; the roots of Cuban nationalism; and the relationship between Cuban modern art and the social and political conflicts of the era. It is drawn primarily from works presented in the previous exhibitions Cuba Vanguardias 1920-1940 (Cuban Vanguards 1920-1940), shown at the Valencian Modern Art Institute and the Palazzo Bricherasio in Turin, and Cuba Art and History, presented at Montreal´s Museum of Fine Arts and the Gronningen Museum, Holland. The current show has been expanded with additional works.
Trails of the Cuban Avant-Garde brings the work of modernist, anti-academic Cuban artists to the Argentine public for the first time. With a bilingual catalogue in Spanish and English, the exhibition showcases the work of such artists as Antonio Gattorno, Jorge Arche, Amelia Peláez, Wifredo Lam, Mario Carreño, René Portocarrero, Mariano Rodríguez, Víctor Manuel García, Fidelio Ponce de León, Arístides Fernández, Carlos Enríquez, Eduardo Abela and Marcelo Pogolotti.
Since the first New Art Salon in 1927, until institutional recognition of their work in the early 1940s, these artists produced works focusing on the twin themes of modernity and nationalism, in an attempt to reflect the circumstances of their day. Eventually, their work paved the way to a non-dogmatic teaching of art in Cuba.
In 1943, several of these artists were selected by Alfred Barr Jr, first director of the Museum of Modern Art in New York, for the first exhibition on Cuban art held in the US, titled Cuban Art Today.
Trails of the Cuban Avant-Garde runs through May 3.