April 15, 2014Earlier this month, we presented Alejandro Anreus’s reflection on the 1944 MoMA exhibition Modern Cuban Painters. Now, historian José Ramón Alonso Lorea brings us a closer look at one of the most influential figures in Cuban art of the 1940s, and a prime mover behind the MoMA show: the little-known cultural patron and gallerist María Luisa Gómez Mena.
April 10, 2014Cuban artists join their Caribbean colleagues at the Pérez, Gerardo Mosquera gets “Lost in Landscape” in Rovereto, Habitar, Construir sets up shop in Cádiz, Artification applies scientific method in Madrid, Chaos and Identity take hold in Massachusetts, and President Jimmy Carter pays a call on Manhattan’s 8th Floor.
April 08, 2014This spring, the Lehman College Art Gallery is hosting Cuban America: An Empire State of Mind, a group show featuring more than 35 artists of Cuban descent. In a double email interview, co-curators Yuneikys Villalonga and Lehman gallery director Susan Hoeltzel talked about the exhibition, its concept, and what it means for the gallery.
April 01, 2014Last month, the Bildner Center for Western Hemisphere Studies presented a program on “Modern Cuban Art in New York: The MoMA Exhibition of 1944.” Alejandro Anreus, professor of art history and Latin American/Latino Studies at William Paterson University, led off with a talk about the exhibition, its genesis, and its impact on Cuban art.
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