Friday March 23, 2018


More Updates: Castañeda in Havana, Miradas indiscretas in Mexico City, Faces of Fidel in NYC

Consuelo Castañeda opens her first show in Cuba in almost 30 years, Rafael Domenech curates an exploration of domestic life in North Miami, and The-Merger solos in Tenerife. Photographer Eduardo García is a Magnum Award finalist, and a restored Memories of Underdevelopment screens at the New York Film Festival.

Update: Novoa in Havana, La Isla concreta in São Paulo, Sicre’s Eye in DC

Glexis Novoa opens a solo show at the Museo Nacional, Wifredo Lam opens in London, and Sandra Ramos explores drugs and Don Quixote in Mexico City. Carmen Herrera opens at the Whitney, Cuban Forever Revisited opens at the Pizzuti Collection, and El Acompañante heads to the Oscars.

Update: Gárciga in Havana, Los Carpinteros in Brazil, Bruguera in London

Los Carpinteros open a four-city exhibition tour in São Paulo, Diango Hernández prepares a gift for the Museum Ludwig in Cologne, and changes are announced at the Office of the Historian of the City of Havana. The Nasher Sculpture Center acquires works by Ana Mendieta, and women skateboarders take to the streets in Havana and the Bronx—on video.

Update 2: El Libro de Job in Havana, Under the Same Sun in London, and Harlem/Havana Coming to New York

A tribute to Ramón Casas opens in Havana as René Rodríguez translates a biblical figure into geometric abstraction. Yornel Martínez and Allora & Calzadilla head to Japan, and Enrique Martínez Celaya heads to Dartmouth University.

Update Part 1: Performance Art in Havana, Tattooing History in Milan, Delahante Matienzo in Sweden

The Wifredo Lam Center takes an 18-day plunge into international performance art and a new prize for curatorship is announced. Luis Gómez opens a solo show in Barcelona, two Cuban artists “draw the line” in Los Angeles, and a work by Luis Cruz Azaceta joins a Bronx conversation on AIDS. 
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