Tuesday March 28, 2017

Exhibitions

Photographic Discoveries Shed New Light on MoMA’s Modern Cuban Painters

73 years after the landmark exhibition opened in March 1944, art historian José Ramón Alonso Lorea takes a detailed look at images shot by MoMA’s staff photographer, Soichi Sunami. His findings offer unexpected insights into the exhibition and its layout.

In Conversation: René Francisco on Adiós Utopia

Artist, educator, and curator René Francisco is part of the curatorial team that created Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, the major exhibition now on view at the Museum of Fine Arts, Houston. in a conversation with Cuban Art News, Francisco reveals the thinking behind the show, and its evolution from initial idea to exhibition opening.

In Focus: Diógenes and the Light at Factoría Habana

“Light is a metaphor of honesty,” curator Concha Fontenla writes in her introduction to Diógenes y la luz (Diogenes and the light). With this concept as their starting point, José Toirac & Octavio Marín embarked on a metaphoric search through contemporary Havana for the equivalent of the Greek philosopher’s “honest man.”

Opening This Weekend: Adiós Utopia

This weekend, Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950 opens at the Museum of Fine Arts, Houston. By way of a preview, we open our coverage with the complete lists of artists in the show—a multigenerational roster whose works span close to 70 years of Cuban art and history.

Exhibition Walk-Through: Wild Noise/Ruido Salvaje at the Bronx Museum

Last week, Wild Noise/Ruido Salvaje opened at the Bronx Museum of the Arts. Originally planned as the second half of an exhibition exchange with the Museo Nacional de Bellas Artes in Havana, the show ran into a series of setbacks. Which works finally made it into the exhibition? Here’s a look at the art on view.
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