Tuesday March 28, 2017

Art

Photographic Discoveries Shed New Light on MoMA’s Modern Cuban Painters

73 years after the landmark exhibition opened in March 1944, art historian José Ramón Alonso Lorea takes a detailed look at images shot by MoMA’s staff photographer, Soichi Sunami. His findings offer unexpected insights into the exhibition and its layout.

In Conversation: René Francisco on Adiós Utopia

Artist, educator, and curator René Francisco is part of the curatorial team that created Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, the major exhibition now on view at the Museum of Fine Arts, Houston. in a conversation with Cuban Art News, Francisco reveals the thinking behind the show, and its evolution from initial idea to exhibition opening.

Update: Arrechea in São Paulo, Garaicoa in Houston, and Double Dulzaides in Havana

Angela Valella opens in Miami, a long-awaited San Alejandro reunion takes place in South Florida, Enrique Martínez Celaya opens in New York, and Cuban photography comes to the AIPAD show. A Yiddish-Cuban opera premieres in Havana, the play 10 Million comes to New York, and the Havana New York Film Festival kicks off with a preview and party in the Bronx.

In the Studio with María Martínez-Cañas

With her series Rebus + Diversions, María Martínez-Cañas draws on the archives of curator José Gómez Sicre to explore Cuban art history and her own biography. Here, Martínez-Cañas talks about five of her works and the stories behind them.

In Focus: Diógenes and the Light at Factoría Habana

“Light is a metaphor of honesty,” curator Concha Fontenla writes in her introduction to Diógenes y la luz (Diogenes and the light). With this concept as their starting point, José Toirac & Octavio Marín embarked on a metaphoric search through contemporary Havana for the equivalent of the Greek philosopher’s “honest man.”
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