Monday January 26, 2015

Update, continued: Miranda in Panama, Humanscape in New Jersey, and a Debut in NYC

Luis Cruz Azaceta and Luis Enrique Camejo share gallery space in Miami, Zilia Sánchez opens her first survey show in New York, and Cuban artists join group shows in London and New Jersey.

Update: Mendive in L.A., Cañibano in Australia, Cuba Contemporanea in Geneva

The spring art season is in full swing—so much so that we’re running two Updates this week to squeeze it all in. In this installment, the celebrations continue at the Museo Nacional in Havana, Manuel Mendive opens a retrospective in Los Angeles, and Cuban artists are featured in group shows in Gdansk, Geneva, Australia, Miami.

The Performance Art of Carlos Martiel: Blood, Epiphany, Revelation

On the heels of his first solo exhibitions in Europe and Central America, and shortly after winning the Arte Laguna Prize in Venice, performance artist Carlos Martiel talked about his work and the philosophy behind it with Rafael DiazCasas.

In Focus: Esterio Segura on “Goodbye My Love”

After being held up for ten days in U.S. customs, Esterio Segura’s public art piece Adiós mi amor (Goodbye My Love) was finally installed late last month in a pedestrian passageway just off Times Square. We caught up with the artist for a quick conversation about the work and its coming to midtown Manhattan.

In Conversation: Janet Batet on Cachita: The infinite lightness of being

Independent curator and art critic Janet Batet organized the recent Miami exhibition Cachita: The infinite lightness of being, which celebrated Cuba’s patron saint, La Virgen de la Caridad, through the work of contemporary Cuban artists living outside the island. She shared her thoughts about the show with Rafael DiazCasas.
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